Research

Prof. Christensen publishes essay in Visual Ecologies of Placemaking

Ellen Christensen, Assistant Professor of Visual Communication Design, published the concluding chapter “Seen and Unseen: Mediated Cultural Landscapes of the Everyday on Zoom” in Visual Ecologies of Placemaking (Bloomsbury Visual Arts), edited by Leslie Atzmon and Pamela Stewart. Contributing to a growing discourse in spatial humanities, the collection of essays provides a unique critical insight into how place is shaped through visual and sensory practices. 
 

Ribbon Cutting & Launch: SFSU Sustainable Materials Library

You are warmly invited to celebrate the grand opening of the SFSU Sustainable Materials Library—the first physical library in the country dedicated exclusively to sustainable and recycled materials. Join us for the ribbon cutting on Friday, May 22nd at Noon at Humanities Building 130, Tapia Drive [Across the street from Marcus Hall at 8 Tapia Drive], San Francisco State University. The ribbon itself is made from salvaged Eucalyptus bark and dusted with glitter from Eucalyptus fiber — even the ceremony will reflect this fantastic, trailblazing collection!

Cutting the ribbon will be Tyrone Jue, Director of the San Francisco Environment Department, joined by SFSU Professor/Lecturer and Library Director JD Beltran, Co-Founders Richard Ortiz, Justin Wong, Jacksaline Perez, and Emily Grandcolas, and the Student Co-Founders who built this remarkable resource over four years. The library was also made possible by Climate HQ, SFSU's groundbreaking climate agency, whose generous support helped bring this vision to life.

The library is a globally-sourced collection of innovative materials to inspire product designers, architects, engineers, artists, and anyone in the creative industries includes mushroom leather, hemp concrete, newspaper wood, eggshell bricks, and beyond. It is open to the SFSU community and the general public alike. People can explore the full collection online at green-library.org.

Come explore the future of sustainable design, touch, feel, and smell the materials, grab a green fortune cookie foretelling your future, and meet the people who made it happen. 

Professor Chu awarded research grant from Duke University

Prof. Hsiao-Yun Chu has been awarded a research travel grant from Duke University to support her research into women's late 19th century craft culture. "The Sallie Bingham Center at Duke University Libraries has world-class collections to support my research," notes Prof. Chu. "Primary sources are the raw materials of design history.  This grant will allow me to consult rare and one-of-a-kind resources to bring new scholarship to light."

Prof. Chu signs contract with MIT Press

Prof. Hsiao-Yun Chu has signed a book contract with MIT press for a manuscript on early woman industrial designers in the United States, mostly focusing on the eastern seaboard, from about 1850-1914. "Women designers have been around since the start of this profession, but their contributions have been obscured by decades of history that favor white, male protagonists," says Chu. "My research illustrates how women were active in design education and design practice decades earlier than has been previously recognized. This is critical in better understanding and representing the history of design in America." Chu acknowledges generous funding from the New York Public Library, the Library Company of Philadelphia, and San Francisco State in pursuing this research.

Prof. Chu receives AIM Award

Prof. Hsiao-Yun Chu has received an Affordable Instructional Materials Award to enhance her teaching of DES 356, The History of Design and Technology. "The AIM Award will allow me to create a hands-on library of artifacts from the past, representing different eras and movements that we cover," says Prof. Chu.  "History can often seem abstract; sharing tangible examples engages kinesthetic learning and brings history to life. This strategy incorporates Universal Design for Learning and other pedagogical best practices to make learning more accessible and engaging, without burdening students financially. I am so grateful to AIM for this opportunity." 
 

Prof. Sosa-Tzec discusses Delightful Design with CCA's Design Strategy MBA Students

Students of the Design Strategy MBA of the California College of the Arts invited Associate Professor Omar Sosa-Tzec as a guest speaker, who shared his investigation on delightful customer experiences and delightful design. Sosa-Tzec introduced Design Delight, his conceptual framework that comprises qualities found in delightful user experiences and connects the notion of delight (in design) with living a happy and flourishing life. 

 

Some of the slides of Omar Sosa-Tzec on Delightful Design that he showed to the Design Strategy MBA students at the California College of the Arts
Some of the slides of Omar Sosa-Tzec on Delightful Design that he showed to the Design Strategy MBA students at the California College of the Arts

Prof. Hsiao-Yun Chu completes Mellon research fellowship at Library Company of Philadelphia

Prof. Hsiao-Yun Chu has completed a short term research fellowship at the Library Company of Philadelphia, America's oldest cultural institution. Her research focuses on women designers of the late 19th and early 20th centuries. "The Library Company's collections for early American history are without par," notes Dr. Chu. "The primary resources preserved here, both printed and visual materials, have been essential to my work. The staff members have been extremely helpful in making my visits pleasant and productive." Dr. Chu further notes Philadelphia's wealth of cultural institutions including museums and libraries which she has also benefited from. 
 

The Library Company was founded by Benjamin Franklin in 1731 as a subscription-based lending library. It continues to operate as a research and cultural institution, with exhibitions, public events and lectures, and a reading room for researchers. For more information, see https://librarycompany.org/

Assoc. Prof. Sosa-Tzec participates in panel hosted at Google Ventures San Francisco Office.

Alumni from Indiana University's Luddy School of Informatics, Computing, and Engineering and Media School gathered on the evening of September 10, 2024, to discuss the intersection of media and technology at the GV (Google Ventures) Office in San Francisco. Associate Professor Omar Sosa-Tzec was invited to elaborate on the intersection of AI and design. Dr. Sosa-Tzec, whose research and scholarships centers on delightful design and experiences, acknowledge that AI is useful to design for delight. He emphasized the role of AI as another tool in design—never a substitution of the practice—and the importance of (college) education to develop a level of professional maturity that helps practitioners utilize AI critically and responsibly. 

Participating as panelists as well were Biz Carson, reporter at Bloomberg New, and Kristi Oloffson, Manager of Customer Marketing at Sigma Computing. The panel was moderated by Joanna Millunchick, Dean of the Luddy School, and David Tolchinsky, Dean of the Media School. The host was David Krane, CEO and manager at Google Ventures

 

Professor Trogu presents paper on Kinematic Modeling of a Flat-foldable Auxetic Metamaterial at the International Conference on Reconfigurable Mechanisms and Robots

Prof. Pino Trogu presented the paper "Kinematic Modeling of a Flat-foldable Auxetic Metamaterial" at the 6th IEEE/IFToMM International Conference on Reconfigurable Mechanisms and Robots (ReMAR Chicago, June 23–26, 2024). The paper introduces a novel, transformable, flat-foldable shape designed in 1996 by the Italian topology researcher Giorgio Scarpa, who was also Trogu's high school teacher and mentor. Trogu and his co-authors Feng, Shi, and Dai expanded on the original shape to create a rigidly flat-foldable "auxetic metamaterial".

Metamaterials are advanced materials with unusual properties derived from their geometry rather than chemistry. Auxetics materials have the property of becoming thicker when stretched. Rigid foldability is the ability of a structure to fold about crease lines without twisting or stretching component panels. The authors noted in the paper's conclusion that "The basic unit model can be tessellated to form large-scale metamaterials with high load-bearing capacity and ease of storage and transportation, which has great potential applications in lightweight shelters, sustainable furniture and building substrates."

In AY 2024–2025, Prof. Trogu will continue collaborating with his co-authors: Prof. Huijuan Feng, graduate students Wujie Shi, and Prof. Jian S. Dai, thanks to a sabbatical during which he will be visiting scholar at the Shenzhen Key Laboratory of Intelligent Robotics and Flexible Manufacturing Systems, Southern University of Science and Technology (SUSTech), Shenzhen, China. Founded in 2010, SUSTech ranked among the Top Ten universities in mainland China in the Times Higher Education 2022 survey.

Prof. Sosa-Tzec publishes sketchnotes exploring the visual essay as an academic object of study

Associate Professor Omar Sosa-Tzec, along with other design faculty in the United States, participated in the first AIGA Design Educators Community (DEC) Design and Writing Fellowship in 2022. The AIGA DEC published a book comprising the visual essays developed by these scholars during this fellowship, all available at https://doi.org/10.3998/mpub.14495980.

Prof. Sosa-Tzec's essay (starting on page 249 in the book) comprises sketchnotes where he explores the idea of a visual essay and humanistic approaches to develop and peer-review it. Below is one of Prof. Sosa-Tzec's sketchnotes (page 253), where he explores and defines the visual essay as a multimodal argument and research-through-design outcome.

Sketchnote defining the visual essay as an academic product by Omar Sosa-Tzec